Noland hitches a ride on a FedEx flight across the Pacific, which is blown off course before crashing after an onboard explosion. That seems like two catastrophes when one would have done, but director Bob Zemeckis uses the storm for scenes of in-flight fear, wisely following Alfred Hitchcock's observation that from a suspense point of view, an explosion is over before you get your money's worth.
Spoiler alert: If you have not seen ads for the movie, read no further.
Noland survives the crash, and floats in a life raft to a deserted island. And . . . am I telling too much of the story? I doubt it, since the trailers and commercials for this movie single-mindedly reveal as much of the plot as they can, spoiling any possible suspense. Not only do they tell you he gets off the island, they tell you what happens then. What am I to do? Pretend you haven't seen the ad, or discuss what we all know happens? The early scenes are essentially busy work. Exotic locales like Moscow add a little interest to details about Noland's job. An airport farewell to the fiancee is obligatory, including the inevitable reassurances about how Chuck will be right back and they'll have a wonderful New Year's Eve. Then the crash.
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The movie's power and effect center on the island. Chuck, the time-and-motion man, finds himself in a world without clocks, schedules, or much of a future. There's something wonderfully pathetic about the way he shouts 'Hello? Anybody?' at the sand and trees. Those are his last words for a time, as he tries to remember childhood lessons about firemaking and shelter construction. Then there's a four-year flash-forward and we see the formerly plump Chuck as a gaunt, skinny survivor. (Zemeckis shut down the movie while Hanks lost weight.) I find it fascinating when a movie just watches somebody doing something. Actual work is more interesting than most plots. Chuck splits coconuts, traps fish, builds fires, and makes use of the contents of several FedEx boxes that washed up with him (too bad nobody was mailing K-rations). And he paints a face on a volleyball and names it Wilson--a device which, not incidentally, gives him an excuse for talking out loud.
Hanks proves here again what an effective actor he is, never straining for an effect, always persuasive even in this unlikely situation, winning our sympathy with his eyes and his body language when there's no one else on the screen.
I liked every scene on the island and wanted more of them. There's a lovely moment when he squats on the ground, contemplating a crate that has washed up, and the shot is composed as homage to '2001: A Space Odyssey,' Hanks' favorite film. I also liked the details of his escape. A shot of the giant bow of an ocean tanker, looming over his raft, could have been the setup for the movie to end. But no. As the trailers incredibly reveal, he returns home, where. . . .
By David Amoruso
Hollywood loves gangsters. Not because film makers condone their crimes, but because their stories make them lots of money. It's difficult to name any other genre that has so many titles based on a true story. Yet, despite this label, the true story often gets twisted to fit the silver screen. That is why Gangsters Inc. shares its knowledge of the facts and truth behind these blockbuster gangster flicks.
When it comes to epic mob movies director Martin Scorsese outdid himself with Casino. It tells the true story of Frank 'Lefty' Rosenthal and Anthony 'The Ant' Spilotro and how the Chicago Outfit dominated gambling in Las Vegas and is based on the research and eventual book Casino: Love and Honor in Las Vegas by Nicholas Pileggi.
In the movie the names have been changed. Lefty Rosenthal turned into Sam 'Ace' Rothstein while Spilotro was now named Nicky Santoro. Thankfully their actions remained the same and the acting of Robert De Niro as Rothstein and Joe Pesci as Santoro is, as you can expect from these two stars, top notch.
Where Scorsese had shown the gritty streets of New York City mob life in Goodfellas, in Casino he upped the ante and showed us the glamorous lives of the men who controlled a billion dollar industry. And, 'how [they] messed it all up.'
The true story of Casino was featured in several Gangsters Inc. stories. Most dealing with the individual players or certain incidents more than with the exact plot of the movie. The men responsible for the Las Vegas skim and the money from the Teamsters were bosses Antonino 'Joe Batters' Accardo and Joseph Aiuppa, while capo Joseph 'The Clown' Lombardo saw to it their orders were carried out as commanded. We have profiled them all.
Spilotro was sent to Vegas to oversee the skim at the casino. He had made a name for himself back in Chicago after learning the ropes from 'Mad Sam' DeStefano, one of the most evil mobsters ever to walk the streets of Chi Town.
By David Amoruso
Hollywood loves gangsters. Not because film makers condone their crimes, but because their stories make them lots of money. It's difficult to name any other genre that has so many titles based on a true story. Yet, despite this label, the true story often gets twisted to fit the silver screen. That is why Gangsters Inc. shares its knowledge of the facts and truth behind these blockbuster gangster flicks.
When it comes to epic mob movies director Martin Scorsese outdid himself with Casino. It tells the true story of Frank 'Lefty' Rosenthal and Anthony 'The Ant' Spilotro and how the Chicago Outfit dominated gambling in Las Vegas and is based on the research and eventual book Casino: Love and Honor in Las Vegas by Nicholas Pileggi.
In the movie the names have been changed. Lefty Rosenthal turned into Sam 'Ace' Rothstein while Spilotro was now named Nicky Santoro. Thankfully their actions remained the same and the acting of Robert De Niro as Rothstein and Joe Pesci as Santoro is, as you can expect from these two stars, top notch.
Where Scorsese had shown the gritty streets of New York City mob life in Goodfellas, in Casino he upped the ante and showed us the glamorous lives of the men who controlled a billion dollar industry. And, 'how [they] messed it all up.'
The true story of Casino was featured in several Gangsters Inc. stories. Most dealing with the individual players or certain incidents more than with the exact plot of the movie. The men responsible for the Las Vegas skim and the money from the Teamsters were bosses Antonino 'Joe Batters' Accardo and Joseph Aiuppa, while capo Joseph 'The Clown' Lombardo saw to it their orders were carried out as commanded. We have profiled them all.
Spilotro was sent to Vegas to oversee the skim at the casino. He had made a name for himself back in Chicago after learning the ropes from 'Mad Sam' DeStefano, one of the most evil mobsters ever to walk the streets of Chi Town.
All in all the violence portrayed in Casino did a good job at showing the capabilities of the group of stone cold killers the real Chicago Outfit had at its disposal. Like when Chicago boss Antonino Accardo needed to send a message to some guys wo burglarized his home.
In the movie Scorsese even cast real mob killer Frank Cullotta to play, essentially, himself as he shoots his way through the final scenes of the movie.
More on Casino:
- The 25th Anniversary of Casino: Looking Back with Nicholas Pileggi and Oscar Goodman
- Mafia hitman Frank Cullotta on movie 'Casino', Tony Spilotro, Killing Informants, Cooperating with FBI
- The lucrative and violent years of Las Vegas mobster Tony Spilotro's infamous Hole in the Wall gang
- The story behind the documentary: Back Home, Years Ago: The Real Casino
Get the latest on organized crime and the Mafia at Gangsters Inc.'s news section.
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Casino Film Recensione
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